David, Russ

Russ David – Legacy

​Russ David will always be associated with his long-running music show, “Playhouse Party,” which was heard on KSD for 16 years and WEW an additional 10 years.

​But his career spanned much more. He worked briefly in the music department at KMOX and was a studio musician and program host on KSD prior to Playhouse Party. His live network music show on NBC originated from the KSD studios.

​Russ attended the St. Louis University School of Commerce for a couple years at the insistence of his parents but then left to become a professional musician.

​During his stint at KSD he hosted Alpen Brau Time, and he wrote all the scores and conducted the orchestra for the acclaimed Land We Live In program. He also served as music director for KSD even after most of the live music shows were dropped.

Crowley, Mort

Mort Crowley – Legacy

Mort Crowley spent 14 years in St. Louis radio with stops at KWK, KXOK, KSD, KMOX and KMOX-FM. As with many disc jockeys, he moved around a lot, working first in Philadelphia.

After his job at KWK in 1958, Crowley was on stations in Cleveland, Los Angeles, Minneapolis, Detroit, Flint and Chicago before returning to St. Louis.

His on-air creativity and sometimes acerbic wit endeared him to many of his listeners as he zeroed in on newsmakers with lampooning and mimicry. He was on the air on all five stations but also served as program director, operations manager and morning drive announcer. ​

Connell, Bud

Bud Connell – Legacy

​Bud Connell’s name is not well-known among St. Louis radio listeners, but his influence was certainly felt. He came to KXOK in July 1961after working in other major markets. Storz Broadcasting brought him in to program its largest property, which was drawing only 4% of the market’s listeners.

Within three months he had changed the sound of KXOK with new announcers and a completely new image. By the time the November-December 1961 ratings were published, KXOK was tops in the market. In the mid-1960s, Pulse, Inc. placed KXOK in the top five stations in the country for its high ratings.

His influence was felt throughout the station, from his creation of the “Johnny Rabbitt” character popularized by deejay Don Pietromonaco, to his conception and organization of the station’s many contests and promotions. In 1966 the station was host for the Beatles’ concert at Busch Stadium.

It is a tribute to Connell that his staffers all credit him for the station’s success through the decade of the 60s.

Chears, Leo

Leo Chears – Legacy

​Leo Chears was affectionately known to his listeners as “the man in the red vest,” a nickname given him by one of his main sponsors, Anheuser-Busch. They were looking for an identifying phrase, and Chears showed up at a client meeting wearing a vest he “didn’t even like because it was red,” he said. But they liked it, so he ended up filling his closet with the vests.

Chears’ name has always been associated with jazz on St. Louis radio, on WBBR, KADI, KSD, WMRY and WSIE, usually holding down a nighttime slot. As was the case in the 1960s, radio managers paid a pittance to many announcers, especially Negro announcers.

Chears held down a full-time job during the day in a lab at Barnes Hospital and then did a six-hour air shift at night.

When Leo Chears went to work for a radio station, management got more than just an announcer. He used his record library, which consisted of thousands of jazz albums, to supplement the station’s library.

Ceries, Ed

Ed Ceries – Legacy

​Ed Ceries was a man who followed his dream. After working as an engineer for 20 years with the Pulitzer stations, KSD and KSD-TV, he invested his life savings and his considerable engineering efforts in building his own FM station, which he called KSHE.

​He literally built some of the equipment himself, and on February 11, 1961, the station signed on from the basement of the Ceries’ home in suburban Crestwood. The station called itself “The Lady of FM,” and had a classical music format. For awhile, all the announcers were women.

​Most of the basement was used for the station operations, with the Associated Press teletype installed next to the clothes washer. The record library room doubled as an administrative office where Mrs. Ceries also did her ironing.

​Listener loyalty was strong. At times they would come to the station with copies of classical selections they thought were better than the ones being played on KSHE. Unfortunately for Ed Ceries, advertisers were not convinced FM radio, particularly classical music on FM radio, had much of an audience.

​After a year-and-a-half, the format was adjusted to contain about 90% middle-of-the-road music and 10% classical, with nine daily news broadcasts. In 1964, the station was sold to Century Broadcasting.

Carney, Jack

Jack Carney – Legacy

​Jack Carney is legendary for his KMOX morning program, both for his ability to entertain and for his live commercials. His time slot on the station varied over his career, but the common block was always 9 – noon, and he owned it.

​Carney’s career began in 1951, taking him through small markets in Texas and New Mexico, and larger cities like Phoenix, Galveston, Milwaukee, Atlanta and Boston. He arrived in St. Louis in 1958 to work as a rock disc jockey on WIL.

​Two years at that station, which rocketed to the top of the ratings, was all Carney needed to get a job offer from WABC, and he was off to New York. That was a bad move for Carney, who left after a few months and went off, in his words, to find himself.

​After a West Coast stint, he was back in St. Louis in 1971 at KMOX, where he worked until his death in 1984.

​Local broadcast critic Eric Mink, writing in the St. Louis Post-Dispatch, said, “The effectiveness of Carney’s commercials was due to his mastery at weaving them into the fabric of his program. The two elements were so intimately intertwined that often it was impossible to tell where the program stopped and the commercial began.”

Jack Carney, KMOX, date unknown

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