WIL’s Uncle Bob Entertains “Mates” of Pirates Club

As many of the 5,000 mates of the Pirates’ Club that could possibly get there foregathered yesterday at the Missouri Theater for the first get-together meeting of the club. They met personally Uncle Bob, Pirate Chief, who is Bob Enoch of WIL.

The meeting was opened by the members of the crew rising and singing the Pirate Song which is a necessary ritual of the organization. Uncle Bob related some thrilling adventures of swashbuckling days while the youngsters gathered about him. The latest release of The Marx Brothers’ “Horsefeathers” was the feature entertainment with a subsequent comedy by the “Our Gang” youngsters.

Uncle Bob has been conducting a cleanliness health book contest and the prizes have just been awarded. Another contest is now underway whereby the youngsters submit scrapbooks of their own design dealing in health and cleanliness and underlined with their own comments.

(Originally published in Radio and Entertainment 8/27/1932).

New KMOX Trio A Sensation After First Appearance

A new trio made its appearance to the radio audience of KMOX, The Voice of St. Louis, last Sunday at 10:15 a.m. The trio to which we refer is “The Debutantes” whose vocal harmonies attracted so much attention on Sunday’s broadcast that the telephones of KMOX were kept busy for hours answering calls from the inquiring audience who wanted to know just who these three girls really were.

Well, they are Linda Stuart, Jean Carleton and Betty Marshall, and their initial broadcast over KMOX was their first appearance before a microphone.

The reason they created such a sensation was because they had, at the start, the experience of “old timers.” They derived this experience from Ted Straeter, popular KMOX pianist and coach who has been instructing the trio for three months.

During this time Ted has taught them the art of radio broadcasting by teaching them expression, phrasing, microphone technique, in addition to blending their voices, developing their vocal personality and writing special trio arrangements.

Summing it up in a few words, Ted discovered and developed this unusual trio. He has a habit of developing radio talent, for Ted has coached some of radio’s outstanding trios and soloists. “The Coeds,” “The Three Blue Notes,” “Irene Beasley,” “Bernardine Hayes,” “Jimmy(sic) Cabooch” and many others have been tutored by this young man who is now only eighteen years of age.

While young in years, Ted has had a wealth of experience. He has been in radio since the early days of the one tube set when he was featured as the child wonder. Ted is still a wonder, for in addition to his radio work, he finds time to maintain his own studios where he teaches piano and voice. In spite of his youth, Ted Straeter is regarded as one of the most capable coaches and pianists in the middle west.

(Originally published in Radio and Entertainment 1/16/1932).

Nothing But Radio Appeals to Danny Seyforth

Many radio listeners recall the pleasant hours spent back in 1927 when there were few stations in St. Louis and their dials used to swing to WSBF, the Stix, Baer and Fuller Station. Since the days of 1925, ‘6 and ‘7, radio in the city of St. Louis has made rapid progress and it was in the early part of 1928 that WSBF went out of existence.

How many of you remember the name of Eddie Burback? Well, it was Eddie Burback and Danny Seyforth who appeared regularly on WSBF in a piano and singing act.

After WSBF went out of existence, Danny Seyforth floundered around until he finally formed a five-piece band, but the call of the radio brought him to Station KFVE, which was then located in the Egyptian Building in University City. Shortly after this KFVE was moved to the Hotel Chase, having been purchased by Thomas Patrick Convey for a group that financed the transaction.

Early KWK Artist
It wasn’t long before Danny Seyforth found himself working with a singing trio known as “The Varsity Boys” and in the early hectic days of KWK many of you recall the many hours of pleasure brought to your home by the trio. In fact, the Varsity Boys Trio became so popular that they were called to Chicago for an audition by the National Broadcasting Company. Like most trios, quartettes and other musical groups that start to get somewhere, something always occurs to break them up, and before the trio learned what their future might be with the National Broadcasting Company, they parted and each went in a different direction. Danny Seyforth, whom we are writing about, decided to go back to clerking, working for banks, railroads, shoe companies, paint companies, and even became a soda fountain clerk for short time.

Radio On His Mind
Evidently Danny’s numerous changes in jobs were brought about by dissatisfaction with these various types of work. He couldn’t get radio off his mind and his itching to return to radio caused him to drift into KWK where he met Bob Thomas who happened to be on duty at the time. Danny begged for a chance to start up a singing team and convinced Bob that he might, with a little training, be able to harmonize with him.

They didn’t know much about it but became enthusiastic, knuckled down to hard work, rehearsed day in and day out and finally convinced the Program Department of KWK that they had arrived at a point where they deserved a chance on the air.

The team of “Frank and Ernest” was the outcome, and while they have not as yet arrived at a point where booking agents are seeking their services for national network programs, they give promise of a future if they continue their hard work and do not become temperamental among themselves as many teams do.

Many have written to KWK to learn the identity of the “Early Morning Songster” and the story is now out – he is “Frank” of the “Frank and Ernest” team, who pays his income tax under the name of Danny Seyforth.

Hard Work His Diet
Danny Seyforth is so enthused about his future in radio that it is difficult to even get him to enter a bank, a shoe store, or a paint company where he formerly worked. You cannot even get him to ride on a railroad train. He prefers to travel by air, and even in hot weather it is difficult to get him near a soda fountain – BUT, show him a piano in a quiet atmosphere, a microphone and he is as contented as any human being could be. He doesn’t know a thing about music, never took a lesson, doesn’t know one note from the other, but somehow or other he manages to hit the right ivory at the right time. His fingers seem to synchronize with his ear and he is determined to work in the development of his technique in broadcasting – in fact, he said the other day that he would work until Niagara – Falls.

His fan mail at KWK is growing day by day. His postage bills have been running so high that he cannot even answer all his fan mail any more but endeavors to do so in a word of thanks now and then on the air and by sending out the type of material that most of the fans request.

Danny is still unattached, he is under twenty two years of age, his waist line is still under twenty-two inches, he is five feet seven inches tall and as far as can be discovered after close examination, his heart and his attentions have been devoted to one little girl whose first name begins with a “C.”

Now and again he fails for several days to shave his upper lip but he is gradually being sold on the idea that he takes a better photograph when his upper lip is shaved.

He spends all of his spare time about the studio grabbing a piano wherever it is not in use and when he cannot get accommodations at the Hotel Chase studios, he can be found at Kirkwood practicing and rehearsing in a little private studio that has been set aside out there for the development of Frank and Ernest and for emergency announcements or broadcasting.

(Originally published in Radio and Entertainment 1/23/1932).

Staff Organist Was Child Prodigy

Diminutive Ruth Hulse Nelson who is regularly heard over KMOX, the Voice of St. Louis, in piano and organ recitals, is one of the most accomplished organists in the middle west, and began the study of music at the age of three. When but seven she composed her first song, “Dream of Night” and featured it on Chautauqua programs. Since then Ruth has constantly been in touch with the musical world. In 1924 she won a scholarship and studied under the excellent tutelage of Silvio Scionti. Through friends she became acquainted with Ralph Waldo Emerson, prominent organist and teacher who made her his understudy and assistant in the Emerson Organ School. After a short while Ruth had her own pupils. In fact, she had too many to handle, for by this time, Ruth was being featured on numerous radio presentations in Chicago. Finally she decided to devote all her time to radio and since then has been featured over station in Illinois, South Dakota, Iowa, Nebraska and Missouri. Ruth first appeared on small stations only, but as time went by her popularity increased so rapidly that she was brought to St. Louis as staff organist for one of the most powerful stations in the country – KMOX the Voice of St. Louis. One of her fondest memories is of the time when she supplied the organ accompaniment to that now famous Tony Wons in a program of Shakespearian interpretations.

(Originally published in Radio and Entertainment 2/27/1932).

By Meryl Friedel

Someone has said, “the more a man has accomplished, the less he is apt to talk about himself or what he has done.”

Ruth Hulse Nelson, KMOX staff pianist and organist, is one of those people. Only just turned 29 – her birthday is June 23 – she has the distinction of being one of the very few musicians in the country recognized for her ability to play both the piano and organ with equal brilliance. Masters of these instruments say the difference in technique of playing either of them makes Ruth’s ability truly exceptional.

Yet only a handful of those who work with her know this…or know that Ruth is also a composer, that she was a child musical prodigy, that while still quite young, she won a famous musical scholarship, and that she has accompanied a number of famous singers.

She was born at Center, Missouri, but soon after, her parents moved to New London. It was there, when only three-and-a-half years old, that Ruth started her musical career with the study of the piano. She still cherishes “Red Wing” as the first complete song she ever played.

Her musical genius asserted itself immediately. When she was seven, she composed her first piece, “Dreams of the Night.” Already her fame as a pianist was beginning to spread and during that same year, she started a tour of Chautaqua circuits which lasted for two years.

Ruth attended the grade and high schools in New London, then went to Culver-Stockton College at Canton, Missouri. While at college, she also continued her musical study at the Quincy Conservatory of Music in Illinois. After two years there, she won a scholarship at the American Conservatory of Music in Chicago. It was soon after going to Chicago that she met Ralph Waldo Emerson, the noted organist who is a direct descendent of the famous poet. He induced her to start also studying the organ. It was then that she was studying piano, theory and harmony with the internationally famous Scionti. And during that period she composed the number that was so widely acclaimed as worthy of being classed with Percy Grainger compositions, “Southern Atmosphere.”

With all this fame and accomplishment…and more that we haven’t space to tell you about…Ruth has remained a charming unaffected young woman who displays none of the so-called temperament generally expected of successful artists.

Besides all her unusual musical talents, Ruth is pretty enough to have been successful on the stage. She has beautiful large, dark blue eyes, naturally wavy brown hair, is five feet, five inches tall and weighs only 115 pounds. And last, but most certainly not least, she has a gorgeous, infectious laugh that always makes the world seem right, no matter what mood one may be in.

(Originally published in Radio and Entertainment 7/15/1933).
 

Peter Grant Wanted To Be An Announcer So He Is One

Just as little boys dream of becoming policemen or engineers, Peter Grant, senior announcer at KMOX, cherished a hope of being a radio announcer.

Finishing his course in law, Grant – Melvin McGinn he was then – planned to open his own law office and wait dignifiedly for clients to rush in. He thought, however, that there might be a period of time before they found the way to his office and he was faced with the necessity of providing himself with a few sustaining funds. Dramatics were his natural bent and his eloquence in law work had been greatly enhanced so he hit upon the idea of convincing KMOX that he would be an excellent announcer for evening programs.

He tried out for this enviable position one night and got himself a contract to appear in dramatic sketches which were being featured over that station about six years ago.

Grant’s father is an instructor in music at Washington University and he tried vainly to make his son’s chubby fingers master the art of playing the piano. Some way, when practice time came, the budding genius was always on the corner lot conducting a circus or improvising some dramatic sketch. It was more to keep domestic peace than anything else that finally made his father give up his determination to make a concert pianist of Grant and let him spend the practicing hours on dramatic creations.

Dramatics bore fruit, however, forming the basis for Grant’s success. He has occupied almost every position from office boy on up. He is now senior announcer in addition to appearing in other sustaining programs at the station and thus is one little boy who had his dream actually realized.

(Originally published in Radio and Entertainment 4/17/1932).

The “Office Boy” Gets Ideas

Bob Harms who takes the part of “Tommy” and writes the script for that nightly KMOX feature program “Tommy Talks” gets his inspiration and ideas from many sources. Bob has lunch with a group of office boys and messengers two or three times a week so that he can absorb their ideas and views and pick up their slang expressions. In this manner Harms is able to give a true picture of the thoughts and actions of the average office boy.

(Originally published in Radio and Entertainment 1/30/1932).

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