Kenneth Wright Daytime Organist

Kenneth Wright
Kenneth Wright

(Unsigned article)

Kenneth Wright is the new organist heard in KMOX daytime programs. He is also heard as “Sad Sam,” the accordion man teamed with “Sunny Joe” Wolverton , the banjo wizard.

Mr. Wright is well known to theatre and radio audiences in almost all of the Middle West cities. The credit is given him for having originated the use of a microphone in connection with his organ playing in theatres, and he has been billed as the “singing organist.”

He claims Great Bend, Kansas as his home and bachelorhood as his state.

Ruth Hulse Nelson is still featured during KMOX nighttime broadcasts.

(Originally published in Radio and Entertainment, 10/15/32)

When Baseball On The Radio Meant Something

In the early days of baseball broadcasting, there was no sophistication. It was every station for itself, with three different stations broadcasting all the games in St. Louis.

At first, in 1926, it seemed the baseball clubs gave no thought to having radio broadcast their games. KMOX assigned an announcer to go to the ballpark and give the listeners periodic summaries of what was happening, but this practice was stopped after a few weeks because the station balked at the expense of the service.
Later that year, the Cardinals won the World Series in seven games, and local listeners could hear some of the games through a national chain broadcast.

As a result of this success on the diamond, the next year attitudes changed, and three radio stations were at Sportsman’s Park broadcasting play-by-play for all Cardinals’ and Browns’ home games. On KMOX, listeners heard Garnett Marks (although he took air names requested by his sponsors – Rhino Bill and Otto Buick). KWK’s general manager Thomas Patrick Convey did duty under the air name Thomas Patrick. William Ellsworth announced for WIL.

Listeners had their choice, based on which announcer they preferred. These announcers and their engineers had to set up, not in the ballpark, but on the roofs of buildings outside the park. Within a couple months, Western Union lines were installed and all three stations were invited inside the park.

But two years later management of one station in the trio had a change of heart.

WIL’s William Ellsworth announced his station would no longer carry baseball. He told a Globe-Democrat reporter a special music program would instead be broadcast on game days. It was a response, he said, to “many listeners who have written to Station WIL requesting a musical program during the hours when the whole dial seems to be covered with the pandemonium of explanations and vocal flourishes concerning one set-to in one city to the utter ignoring of any other form of entertainment whatsoever.”

The general manager of KMOX, Nelson Darragh, was not terribly upset with the WIL decision. “We personally remained in baseball broadcasting,” said Darragh, “because I believe Station KMOX is the only one in St. Louis which can reach the section of the country which is particularly interested in St. Louis’ teams.”

Thomas Convey at KWK, took issue with Ellsworth’s proclamations about audience reaction to baseball on the radio, saying, “In fact, I have 16,000 names signed in petitions asking that KWK and its announcers come back on the air in the play-by-play accounts and descriptions of the games which became so popular last year.”

And so it was that in 1929, baseball fans lost one option for their listening pleasure in the St. Louis market. KMOX and KWK continued the broadcasts while WIL broadcast recorded musical selections each afternoon. The Browns posted a record of 79 wins and 73 losses, while the Cardinals finished at 78-74.

One year later, the owner of WIL, Lester A. “Eddie” Benson overruled his general manager and personally returned to Sportsmen’s Park to broadcast the local games for WIL. Two years later, WIL’s sports director Dave Parks described the situation in the Sportsman’s Park pressbox in an article in Radio and Entertainment magazine: “There are three booths near the roof of the grandstand in Sportsman’s Park. The eastern section is used by KMOX, the western section by KWK, and in the middle sits the Old Reporter for WIL. There is no need whatever for him to ask what is going on, because France Laux and John Harrington gave him no opportunity to forget that he’s at a baseball game.”

(Reprinted with permission of the St. Louis Journalism Review. Originally published 5/2009)

WGN Gets Johnny Harrington, KWK’s Ace Sports Announcer

John Harrington
John Harrington

John Harrington, popular KWK announcer and sports commentator who grew up with radio in St. Louis, has left the Mound City to go with station WGN, Chicago.

Harrington’s move to Chicago was like his sports broadcasts, swift and unexpected. The former announcer entered radio in September of 1929. At that time he didn’t have the slightest desire to enter the game but visited the KWK studios with a hankering to see the transmitter. They wouldn’t let Harrington in unless he had some business with the studio so John promptly asked for a job – more to see the station than anything else. He was given an audition and hired, and has been with radio station KWK since then until last Thursday night.

Though Harrington entered radio through an accident more than anything else, his early training suited him for an announcer’s spot in front of the “mike.” He had exercises in voice culture and oratory at the Kirkwood High School and the University of Arkansas down Fayetteville way.

Some of the assignments that stand out in Harrington’s memory are helping in the broadcast of the last two World’s Series in St. Louis.

He has interviewed such notables as Jerome “Dizzy” Dean, the most eccentric of all modern ball players, Sammy West, the leading hitter in the American League, and other notables in the sport world. He introduced Floyd Gibbons to St. Louis radio audiences on his two visits here and is christened by some the “Gibbons” of the Central States on account of his rapid fire reviews.

(Originally published in Radio and Entertainment, 6/3/1933)

MacCormack Is New Announcer On Easy Aces Skit

Franklyn MacCormack, former Program Director of WIL, is now with the Columbia Broadcasting System as announcer for the Lavoris Easy Aces program heard every Tuesday, Thursday and Saturday at 7 p.m. over KMOX.

Competing with twenty-eight other announcers for the program, MacCormack secured the appointment. Jane and Goodman Ace are under contract for four years to the sponsors and he will continue to be the announcer for the skit of American home life.

While Franklyn was at WIL, he was program director, announcer, soloist, and became famed for his Dream Boat, a group of poetical readings each evening. He came to St. Louis a year ago from Denver where he had been in radio work, and previous to that had been widely experienced in stage and dramatic work. Neil Norman is his successor as program director of WIL.

(Originally published in Radio and Entertainment 3/11/33)

Aunt Sarah On The Farm Folks Hour Is A Gossipy Widow From Hidalgo

Hildred Ransom, who is known to the Early Morning Farm Folks on KMOX as Aunt Sarah, has a pretty hard time keeping up her end with all the kidding she has to take from the group of entertainers that make up the program. She does her bit – too much of a bit says nephew Charlie Stookey – each Tuesday, Thursday and Saturday at 6:45 a.m.

It’s pretty hard to be argumentative at so early an hour but Aunt Sarah has the good of the public on her conscience and she feels that they ought to be told about a great many helpful things. True, nephew Charlie doesn’t agree that there is such a thing as a waterwitch nor that potatoes ought to be planted in the light of the moon, but Aunt Sarah knows about these things and she feels that she should give the listeners the benefit of her advice.

As a matter of fact, Aunt Sarah is very elusive but we have our doubts if she even faintly resembles the gossipy widow from Hidalgo that she represents. She is a very busy stenographer during the working days but not so busy that she doesn’t have time to think up ways to defeat Charlie. What’s more, she does it, for all of the fan letters side with her judgment.

(Originally published in Radio and Entertainment 3/4/33)

Art Gillham Not So Sad And Gloomy As You Might Think

To the confidential tones of “Whispering” comes the melancholy voice of Art Gillham, one of the most famous of radio stars and the “Master of Pessimism.” He sighs and moans and pleads with everyone not to smile. His theory is that a good cry makes most folks happy.

Art Gillham, who later appeared on KMOX
Art Gillham, who later appeared on KMOX

He really excites pity when he describes himself as a bald old man weighing 375 pounds. But like his Syncopated Pessimism which may paint the world dark but leaves the cloud’s silver lining always ashining, this Art Gillham, instead of weighing 375 pounds, weighs about 170, he is six feet tall and very erect – not bald headed, for he has a wealth of dark hair and he is always in a hurry but he needs to be – for besides drinking about 15 cups of coffee daily, Art broadcasts the “Afternoon Variety” program on WIL from three to four, the “As You Like It” program nightly from 11:30 to 12:30, and the famous “Syncopated Pessimism” programs on Monday, Wednesday and Saturday at 7:45 p.m. Besides, Art has charge of WIL’s Artist Bureau.

Gillham graduated from the old Central High School here in St. Louis. After much persuasion he decided with the family that he would study medicine and so entered St. Louis University Medical School. Two weeks passed and a traveling orchestra came to town; one performance and Art’s resolution took flight and so did Art. He traveled to the Pacific coast with the orchestra and became its leader. It was while traveling with the orchestra that he and two of the boys collaborated in writing the words and music of “The Hesitation Blues,” which was an instant hit and four million copies were sold.

In December 1922 Art became an accompanist on Station WDAP, the Drake Hotel in Chicago. One night the boys dared him to sing over the radio, he took the dare, and since then, Art has whispered his way up the ladder of radio success. He was one of the first troubadours of the air and has sung over three hundred stations. He participated in the first national hookup program in the United States. In 1924 he became and exclusive Columbia Recording Artist and has made over 170 records for them. He has written over 30 popular song hits. February 1930 he signed up as an exclusive Columbia Broadcasting System Artist.

Last July, when Art’s mother was injured in an accident, he dropped his work and came to St. Louis to be with her. When he realized that her recovery would be slow he decided to remain in St. Louis.

(Originally published in Radio and Entertainment 12/5/1931)

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